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Have you heard about Mud wrestling? |
Posted by: Guest - 05-17-2022, 06:39 PM - Forum: Here There And Everywhere
- Replies (11)
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:Banana_Bigone:
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Have to say it gets a bit boring watching big red roosters flaunt their swords. Cock fights are fine but what about hen pecking? Nothing gets the juices flowing better than watching fine chicks and fat heifers go at it in the mud. All that slippery wriggling can sure make the cocks get hard.
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 :22:
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Transgender agenda on the surface of culture |
Posted by: Quartus - 05-15-2022, 05:30 PM - Forum: Alternative Media iCitizen Journalist Newsroom
- Replies (14)
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http://www.cpath.ca/wp-content/uploads/2...ESCHER.pdf
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Let's take a closer look at the scientific attitude towards the transgender issue currently debated in current pop culture advertisement. First off, a little research notes...
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In the old DSM-IV, GID focused on the ââ¬Åidentityââ¬Â issue ââ¬â namely, the incongruity between someoneââ¬â¢s birth gender and the gender with which he or she identifies. While this incongruity is still crucial to gender dysphoria, the drafters of the new DSM-5 wanted to emphasize the importance of distress about the incongruity for a diagnosis. (The DSM-5 uses the term gender rather than sex to allow for those born with both male and female genitalia to have the condition.)
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http://www.huffingtonpost.com/2013/06/04...85287.html
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Rigid gender beliefs usually flourish in fundamentalist, religious communities where any information or alternative explanations that might challenge implicit and explicit assumptions are unwelcome. When entering the realms of gender and sexuality, it is not unusual to encounter another form of binary thinking: ââ¬Åmorality talesââ¬Â about whether certain kinds of thoughts, feelings, or behaviors are ââ¬Ågood or badââ¬Â or, in some cases, whether they are ââ¬Ågood or evilââ¬ÂÂ
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Most importantly, in medicine, psychiatry, and other mental health professions, removing the diagnosis from the DSM led to an important shift from asking questions about ââ¬Åwhat causes homosexuality?ââ¬Â and ââ¬Åhow can we treat it?ââ¬Â to focusing instead on the health and mental health needs of LGBT patient populationsÂ
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http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4695779/
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The current dilemma now concerns public bathrooms. Should transgenders be allowed to relieve themselves as themselves in public fashion? Current debate indicates a high thresh hold of irritation among subjects on the emotional arguments brought forward.Â
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All well and good for great debate. Some questions remain. Since great learned doctors are non-elected 'authorities' in these matters. Should they be allowed to make up the 'rules' for the general 'un-learned' population. Representation without knowledge.Â
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Economic value must be considered in this political debate. The medical and pharmaceutical industries hold a big stake in the lobbies agenda.Â
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A Brief History of Consumer Culture |
Posted by: CCRider - 04-30-2022, 03:52 AM - Forum: The Possibilities of Propaganda
- Replies (2)
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Over the course of the 20th century, capitalism preserved its momentum by molding the ordinary person into a consumer with an unquenchable thirst for more stuff.
The notion of human beings as consumers first took shape before World War I, but became commonplace in America in the 1920s. Consumption is now frequently seen as our principal role in the world.
People, of course, have always “consumed” the necessities of life — food, shelter, clothing — and have always had to work to get them or have others work for them, but there was little economic motive for increased consumption among the mass of people before the 20th century.
Quite the reverse: Frugality and thrift were more appropriate to situations where survival rations were not guaranteed. Attempts to promote new fashions, harness the “propulsive power of envy,” and boost sales multiplied in Britain in the late 18th century. Here began the “slow unleashing of the acquisitive instincts,” write historians Neil McKendrick, John Brewer, and J.H. Plumb in their influential book on the commercialization of 18th-century England, when the pursuit of opulence and display first extended beyond the very rich.
This article is adapted from Kerryn Higgs’ book “Collision Course: Endless Growth on a Finite Planet.”
But, while poorer people might have acquired a very few useful household items — a skillet, perhaps, or an iron pot — the sumptuous clothing, furniture, and pottery of the era were still confined to a very small population. In late 19th-century Britain a variety of foods became accessible to the average person, who would previously have lived on bread and potatoes — consumption beyond mere subsistence. This improvement in food variety did not extend durable items to the mass of people, however. The proliferating shops and department stores of that period served only a restricted population of urban middle-class people in Europe, but the display of tempting products in shops in daily public view was greatly extended — and display was a key element in the fostering of fashion and envy.
Although the period after World War II is often identified as the beginning of the immense eruption of consumption across the industrialized world, the historian William Leach locates its roots in the United States around the turn of the century.
In the United States, existing shops were rapidly extended through the 1890s, mail-order shopping surged, and the new century saw massive multistory department stores covering millions of acres of selling space. Retailing was already passing decisively from small shopkeepers to corporate giants who had access to investment bankers and drew on assembly-line production of commodities, powered by fossil fuels; the traditional objective of making products for their self-evident usefulness was displaced by the goal of profit and the need for a machinery of enticement.
“The cardinal features of this culture were acquisition and consumption as the means of achieving happiness; the cult of the new; the democratization of desire; and money value as the predominant measure of all value in society,” Leach writes in his 1993 book “Land of Desire: Merchants, Power, and the Rise of a New American Culture.” Significantly, it was individual desire that was democratized, rather than wealth or political and economic power.
The 1920s: “The New Economic Gospel of Consumption”
https://thereader.mitpress.mit.edu/a-bri...r-culture/
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Häxan: Witchcraft Through The Ages (1922) |
Posted by: Film Critique - 04-28-2022, 09:00 AM - Forum: Literature and Art
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Referred to in English as The Witches or Witchcraft Through the Ages, Häxan is a Swedish-Danish film, a curious and groundbreaking mix of documentary and silent horror cinema, written and directed by Benjamin Christensen. Whereas most films of the period were literary adaptations, Christensen's take was unique, basing his film upon non-fiction works, mainly the Malleus Maleficarum, a 15th-century treatise on witchcraft he found in a Berlin bookshop, as well as a number of other manuals, illustrations and treatises on witches and witch-hunting (a lengthy bibliography was included in the original playbill at the film's premiere).
https://publicdomainreview.org/collectio...-ages-1922
Häxan - Benjamin Christensen
Genres: Documentary | Fantasy | History | Horror
Year: 1922
Director: Benjamin Christensen
Writer: Benjamin Christensen
Country: Sweden | Denmark
Language: Swedish | Danish
Häxan, (English titles: Haxan, The Witches or Witchcraft Through The Ages) is a 1922 Swedish/Danish silent horror film written and directed by Benjamin Christensen. Based partly on Christensen's study of the Malleus Maleficarum, a 15th century German guide for inquisitors, Häxan is a study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts. The film was made as a documentary but contains dramatized sequences that are comparable to horror films.
With Christensen's meticulous recreation of medieval scenes and the lengthy production period, the film was the most expensive Scandinavian silent film ever made, costing nearly two million Swedish kronor. Although it won acclaim in Denmark and Sweden, the film was banned in the United States and heavily censored in other countries for what were considered at that time graphic depictions of torture, nudity, and sexual perversion.
https://youtu.be/N5ZyFuDznZU
https://www.bitchute.com/video/BnMDCloZKrcT
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